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Jun 22

From Playthings to Protected Art: A Look into the High’s Benson Paper Dolls

Learn more about the history of these paper dolls and the work that went into getting them display ready.

From Playthings to Protected Art: A Look into the High’s Benson Paper Dolls

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High Museum of Art

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Jun 3

Building the Collection: The Richman Collection of African Art

How the Orly plane crash inspired the creation of an African Art department at the High Museum of Art

Building the Collection: The Richman Collection of African Art

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High Museum of Art

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May 27

High Notes: Listening with Our Eyes: “Apollo Disguised as a Shepherd” by Valentin de Boulogne…

In the “High Notes” series, Matthew Shorten bridges the worlds of music and art through works in the High’s collection.

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High Notes: Listening with Our Eyes: “Apollo Disguised as a Shepherd” by Valentin de Boulogne…

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May 20

Engaging Georgia’s Incarcerated Youth through Art181

Kate McLeod shares how the High is providing art experiences for students in the Department of Juvenile Justice.

Engaging Georgia’s Incarcerated Youth through Art181

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May 7

Measuring the Impact of the Arts: A Collaboration Story

How a community partnership is supporting the High’s research on the impact of art museums on their visitors

Measuring the Impact of the Arts: A Collaboration Story

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High Museum of Art

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May 1

Generations at Play: Isamu Noguchi’s “Playscapes” Playground in Atlanta

Take a walk through the creation of the only Noguchi-designed playground constructed in the United States during his lifetime

Generations at Play: Isamu Noguchi’s “Playscapes” Playground in Atlanta

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High Museum of Art

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Mar 5

The Curious Triangle: A New Model for Art Museum Learning

This post is part of our blog series “For the Field: Art Museum Educators,” which shares resources from the High’s Learning and Civic…

The Curious Triangle: A New Model for Art Museum Learning

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Feb 2

The High’s Journey to Desegregation in 1962

As the High approaches its centennial anniversary in October, we explore the museum’s desegregation.

The High’s Journey to Desegregation in 1962

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Jan 15

Studio Classes at the High: What Participants Can Expect

An overview and conversation with Monica, a frequent participant in art-making classes at the High

Studio Classes at the High: What Participants Can Expect

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High Museum of Art

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Jan 8

Building the Collection: The Virginia Carroll Crawford Collection of American Decorative Arts

“Virginia Carroll Crawford was a curator’s, director’s, and community’s dream patron.” — Donald C. Peirce

Building the Collection: The Virginia Carroll Crawford Collection of American Decorative Arts

From Playthings to Protected Art: A Look into the High’s Benson Paper Dolls

Learn more about the history of these paper dolls and the work that went into getting them display ready.

Building the Collection: The Richman Collection of African Art

How the Orly plane crash inspired the creation of an African Art department at the High Museum of Art

High Notes: Listening with Our Eyes: “Apollo Disguised as a Shepherd” by Valentin de Boulogne…

In the “High Notes” series, Matthew Shorten bridges the worlds of music and art through works in the High’s collection.

Engaging Georgia’s Incarcerated Youth through Art181

Kate McLeod shares how the High is providing art experiences for students in the Department of Juvenile Justice.

Measuring the Impact of the Arts: A Collaboration Story

How a community partnership is supporting the High’s research on the impact of art museums on their visitors

Generations at Play: Isamu Noguchi’s “Playscapes” Playground in Atlanta

Take a walk through the creation of the only Noguchi-designed playground constructed in the United States during his lifetime

The Curious Triangle: A New Model for Art Museum Learning

This post is part of our blog series “For the Field: Art Museum Educators,” which shares resources from the High’s Learning and Civic…

The High’s Journey to Desegregation in 1962

As the High approaches its centennial anniversary in October, we explore the museum’s desegregation.

Studio Classes at the High: What Participants Can Expect

An overview and conversation with Monica, a frequent participant in art-making classes at the High

Building the Collection: The Virginia Carroll Crawford Collection ​of American Decorative Arts

“Virginia Carroll Crawford was a curator’s, director’s, and community’s dream patron.” — Donald C. Peirce

High Museum of Art

Building the Collection: The Virginia Carroll Crawford Collection of American Decorative Arts